All right, we're going to start standing again and we're going to do, um, incorporate a apparatus into our work again today. If you don't mind, or if you do mind to, here we go. So finding a place and you actually, let's actually start on the ground face. This way everyone, I'm standing up reaching your arms down towards the ground. Take a moment, let the outside world go shift forward over your toes, almost. So much so that you could just lift the heels up a little bit and then shift away back. See how far back you can lean, and then do that one more time.
Go way forward. Also just rise up the tiniest back and then lean way back, keeping the body straight. So you're hinting around the ankle joint, and then situate yourself just over the centers of your feet. So you've got pressure in the big and small toe pressure from the outside and the inside of the foot. And with that, we're gonna roll down. So breathe in a big breath in. And as you do so, get a little longer. As you exhale, start with your head. Begin rounding yourself
Committing to lifting up into the rib cage to pulling up into the abdominals to letting the head relax. It was kind of checking out how your body feels tonight. Hanging forward. Taking a breath in. Exhale, draw the abdominals in. Start to add in a little bit of inner thighs or a hugging of the mid line. Hello the pelvis depress forward so that the spine stacks directly over the top of it.
Apparently didn't work.
So if you do think about hinges at the hip more or a different way to say that is don't bend the knees quite so much and let the body lean for it. As the hips go back, the arms are pressing actively, they're pushing up and then they're pushing down and we're going five more, a little quicker and IELTS event and exhale press. It's not a squeezed together of the shoulder blades. It's more of a movement downwards of the shoulder blades and three supporting the spine with the abdominals. Here's two and last time from the top. Take that slight, very subtle. Lean at the ankle joint and hover the heels at not a lot. A little.
Keep the tightness in the glutes in the back of the legs as you bend your knees, arms reaching forward. Exhale to press and he'll be bent, sitting. Way back. Exhale to press. So maybe a little bit more challenging to find the glutes here, but just as important working from there. Okay, Dan, here's fine. Yeah. Lensing weight over all 10 toes last five a little faster down on what? Finishing the extension of the hip, pressing the pelvis forward and keeping that upper back. Super actives last one.
Lower the heels, bring them together as you do that. Before we lift the heels again, try to intensify the external rotation of the hip, not from the feet so much, but actually right in the hip joint itself. However the heels squeeze them together. Then these points slightly out to the sides about shoulder distance apart and we press a nice strong inner thigh work and Presa finding that good strong long line in the body.
One and bet to press and back to school. Ease the inner thighs, the heels together. Work from close to the pelvis rather than the feet. This is our last one and we dropped the Hills down. Take your feet, a little wider. Heels, pointing in, toes pointing out. And then again, before we get going, give yourself that focus on wrapping from the back, but also try to pull the feet together in space that you've got inner outer thigh connection and we go Ben, sit way back and squeeze inner thigh, outer thigh, press Ben, keeping the abdominals working. Press through the upper back as you left.
I keep everything strong, so nothing in our body is lazy here. Creating a full body experience. Last five and
Drop the left heel down, going into the forward lunge. Slide your right leg
On the diagonal is that front leg straightens and then we reach further back with the back leg on. Travel up on the diagonal. Feel the abdominals again. Support the spine and squeeze your glutes before you go into lift off
The movement of the leg is occurring at the waist. So you want to reel that leg in from a wall right underneath the ribs or just underneath the chest. And last three, one little faster for the last two and one more with the foot down on the ground. Hello, are the arms down. Drop the head and roll up through the spine. Keeping the right leg has your supporting like step the left leg way back. Then bend the right knee so that as you come forward over that leg, back leg goes light. And with that we're coming up on the diagonal looking for the pelvis not to shift from side to side. So finding a recruitment process starting from the abdominals, then the glute and that back leg. See super active as the knee finishes, the extension
And here's three.
I'm speaking
Almost like you got a little cushion to sit on scooping back and inhale to lift up. One more time, scooping back. How deep can you create? Work through your waistline and heel to comma and exhale. We're going all the way down this time. So we're rolling down the mat.
We're going to lift the head and chest. Press the ribs down into the mat, curl through the spine. Keep the tuck in the pelvis almost to the top. In fact, at the top, inhale, exhale to round down. Feeling the shoulders, reaching away from the ears, feeling in both sides of the body. And by that I'm asking you to notice if one side of your spine comes down heavier than the other. At the top were long with the shoulders over the waist, but also round. Here we go again. Use your legs, and by that I mean press down, engage you the backs of the legs. Inhale to lift up. Feel the inner thighs working as you curl through the spine, but fall, let's do three more. On the count of four. We're coming down. One, two, three or there. Breathe into lift. Start your XL.
Use the full breaths of finishing. No more air in the body at the top end. Here's four,
Lift the arm closest to me up, back, arm up. Turn the other way. Take the arm closest to the back of the room onto the mat. The other hand comes down around the thigh. Turn, lift, really milk out that stretch. Lift the front arm, the one holding your leg. Lift the back arm. Get a little taller. Still try to keep your arms up there and roll yourself down just as control. Just a little heavier lever
Heading into just a couple of pelvic curls so the feet are on the mat parallel to one another. Sit bone or hipbone distance apart. Breathe in, breathe out as you flatten your spine into the mat. Then undulate through the spine, curling the spine. Here's a reverse of we just what we just did. So you want to start with the movement in the pelvis and then carry that moving until you're in a straight line. Inhale, starting from the chest. Let it drop away from the chin. Finding the bones of the upper back, the bones of the middle back, and all five bones of the lower spine working hard to manipulate the spine.
Inhale, exhale. We roll up. As you do so send your knees out over your toes. Reach your arms in the direction of your feet. Take a breath. Inhale, exhale. Coming down. Maximizing the curvature of the lower back, or almost always the most tight. Inhale, two, exhale and Rola. So never pausing, never stopping work. Just finding ease in the movement if you can, or looking for ease in the movement. All done. The pelvic curl probably a hundred times in our lives.
What can you find today that you've never found before? Maybe more hamstrings, maybe a little bit more inner thighs, maybe a deeper connection to the upper back coming down for the last time here. Slide your arms either into a low V position or if you have enough room and you wish to go to a T, you can go there as well. Pick up the left leg, no movement in the pelvis as you pick up the other leg and a spine to a supine in my direction in here. As you exhale, engage you that opposite side will bleak and durag move, pushed the legs back to center. Any help to the opposite side and exhale to come back. So let's talk about the idea of opposition. As the knees travel towards me, the belly travels back towards the mat or back towards the spine. And then we use that contraction, that connection to move the legs back to center. The legs themselves are relatively light in space
And to come back. We see you could drop your feet down just a little bit. Yeah, and excelling to come back. We're gonna do that one more time and last time for the day, keeping the legs where they are. Bring your arms over your shoulders, fingertips reaching up, shoulder blades, reaching down. Send your arms over the head without letting of your ribs away from the mat. Breathe in there. As you exhale, come in into the hundred prep, lift the sternum, then let the arms travel downward, then pressed down. So often times we think about this exercise as leading with the arms, especially when we have Springs attached to them.
But can we lift the trunk and then follow through with the arms and reach a little higher as the arms reach forward and heel to come down. Exhale, drop the her ribs down. Feel the belly reaching through the mat into the ground. Inhale, reach down last three and he'll reach down. As you curl your chest up. Your tailbone should not curl away from the mat. It should stay down. That being said, your low back should be flat. This is that coming up to hold. Take a breath.
We're heading into the a hundred if you want to straighten your legs. Now is the time and we exhale. One, two, three, four, five. I had two to three keeping the fingers together, energy through that and three, two, three, four, five.
It's going to help us go deeper into our AMS. Emily, open up your call. Events. Just the littlest bit nicer.
The arms are coming just over the shoulders. Coordination, we exhale, lift the head and chest, extend the legs on the same XL open, close the legs, bend the knees, breathe in, lift a little higher and then come down. Exhale, lift, extend, open and close. Quick, solid and down.
Stretch your legs out in front of you. Take a minute, just relax. So go ahead and let the ribs lift. Reach the arms away overhead. Reach out through your toes like someone's pulling you from toes. Two to hands from there, press your arms back down through space. Slide the back in until they're bent. Here's the shoulder bridge.
Breathing into prepare. Breathing out as you start from the pelvis, rock the hips forward. Curve the spine upwards. Feel the ribs heavy or at least not buoyant or arching. Hold there. Let's pick up the left leg, stretch it towards the ceiling. We're going to exhale to take it down, but keep the hips level go in three slow and back and down as the leg lowers. Note, if your pelvis is dropping on that side and we're going five more faster, one and back.
As we create more or faster movement, can we still keep the precision in the movement? Bring the leg up, bend it folded in, roll down to the bottom of the ribs only. How's you do that? Don't let your shoulders move towards your ears in the opposite direction. Keep activity through the fingers, through the lats really and roll back up. When you arrive at the top left Lake stays, the right light comes up.
We stretch it to the ceiling. Three slow down way away from you, so it's not necessarily so much about going down. It's more about reaching away. Almost always when we're dealing with the limbs and we go five more fast. One, two, sorry. Bring up the leg folded back in. Lift the hips a little higher or tuck a little more as maybe a better way to say that and just start to melt. Creating space between the bone bones in your spine, stretching between the bow, stretch the right leg out onto the ground and bring the left leg towards your chest. Hold onto the back of the thigh, pull the side quite close to the body or as close as you can comfortably, and then try to relax the muscles in the front of the hip by drawing the abdominals in by potentially pulling the femur a little deeper. With that, we're going to exhale and try to stretch the leg without moving the thigh away from the body any more than it is so it may or may not straighten all the way.
Mine's certainly not going to on the first one, but that's how we're going to challenge our stretch today. Anchor with the bottom like stretch the like that. Keep that side one's super close to your body in Hilton bend. Note that as the leg stretches up, do you get lighter on the hip that's on the ground? You shouldn't. Should be strong. It should be pressing down in opposition.
See that two more times reaching, sliding the leg back and re bent and last time and, and then bending the knee. Let go with your left hand and bring your right hand to the outside of the left side. And then just twist to the right. Looking over the left shoulder, gave yourself some support
The muscles definitely have to work to stretch, but can you contract them as they bend? Feel the hip or the femur. Sink a little deeper into the hip socket and stretch. Sending the toe back over the top of the head and bend both hips squared. Reaching up. You can relax your foot, you can flex it, which will probably in fact guarantee you a bigger stretch. This is our last one.
Okay. Hands on the knees. Lift the head and chest
Press down. Keep the opera body lifted. Squeeze. Think inner thighs. Use your rotators in your hips. Use your glutes. Three more. One all around. And here's two around and last one. Go to the rivers. Open. Squeeze together.
Do not lower your legs lower than you can. Hang onto a flat spine. That's the single most imperative thing here. Two more. Last one, lifting the legs, bending the knees and bringing your arms around to the tops of your legs. Pulling the knees into the chest. Okay. Uh, for the openings, uh, take your thumbs just like you put them right underneath your tailbone.
That's right on the outs, uh, underneath of the sacral area just right on this outside of the tailbone. If you want to move your hands a little higher, you can, it'll make it easier and then allow your legs to stretch up. So putting some attention in through the waist. You're gonna open up the legs is why does you can get the stretch and then squeeze back together so you push them apart and then you pull them together. Don't only think about the legs, please think about the abs.
That's what's going to anyway support you, number one and give you more work and give you better work. And we're going to go 10 more times faster. It's down, up, squeeze and up. Squeeze focusing on the tops of the thighs. Let the feet relax. Oh, I stopped counting. Five. Okay. Yes.
Last two, one more. And Jeanine's stretching your legs out along the mat again. Raise your arms over your head again. Don't let them go on the floor, but go ahead and and, and reach through them and let the ribs lift if you want. If that's a better stretch for you, definitely reach the feet away. And then without changing much, just engage your abdominals and feel if the ribs are up, that they press back down. There's your solid start position and heel.
If the head and chest to exhale and roll up. Take a stretch all the way forward and then sit up. Let's bend the knees, bring the bottoms of the feet together. We're going to do the tilt. It's part of the short box series. If you know it, come with me. If you don't, I'll tell you how to do it. Sitting right on top of the sitting bones, pressing the head into the hands and before you get going anywhere, gently pull up on the skull or and let that assist you in feeling and perhaps even
We XL took pull back through the abs to come home in. He'll reach up and across an Xcel to come home and then heal up and over to X Allen. Draw the rib cage back to come home.
Express your cross across what you can create. This one of those exercises where you've got to look for what you want to find. Last one, keeping the hands behind the head. Breathe in, breathe out. As you rotate towards the ocean, Drudge, you inhale to come back. Exhale, keep going. Lifting up on the skull, lifting up on the spine. Inhale to come back.
Imagine fluid like Sachs between each vertebra so that the spine is cushy and spongy and movable and back and across and back. And one more time. Cross towards me and bring it all the way home. And then just take a stretch over both legs. You can move your feet a little closer to you. If you want, you can move them further away. Just guide yourself forward. Walk both hands over towards your right. Keep the left hip heavy.
Bring yourself back, go over to the other side and then come back and come up. Stretch out the legs. They can be soft or straight for the push through sitting forward. My new favorite exercise. Okay, so reach the arms on a high diagonal, and from there, before we get going with anything, imagine that you're pulling a weight from the ceiling and draw the shoulders way down the back. Inhale, as you exhale, start to move the pelvis. The pubic bone reaches up towards the chin. You curl the spine, make sure you've got controls, so just go back enough so that you have control.
Create a force, push down, continue to create that force. As you slide the spine forward, any, I'll take it longer. Lengthen out
Reach up towards this on the high diagonal. Again, the XL curves this back. Create a force. Push that imaginary force, that imaginary spring reaching way. Inhale, extend the spine. You can even put your hands down and let yourself have a little bit of help there. Then lift the arms and exhale to reach the spine back undulating through the body. Inhale, we sit up. Exhale, we go again, curling back. Reach the heels away from you.
Push, pull the belly back cause the spine troubles forward. Inhale, use your hands or don't use your hands by the lift. In tobacco extension. I kind of liked my hands. I like Christie's idea of releases of holding onto the feet, like a curl back. Wring out the spine with the breath. Inhale to sit up. Let's do one more exhale. We curl, push down and lean forward or a stretch forward or extend forward.
And then inhale, definitely reach up into back extension, pulling the chest through the arms, opening up through the collarbones. Let the feet go without losing that back extension and curl away from your feet to come all the way back up to sitting. And with that, let's lower the arms down and turn to our side. Well, can I do the sideline like serious again? So, um, your head is on your arm, looked down this front of your body just to notice that your feet are lined up with your pelvis. If anything, they can be slightly forward for balance. And then we want to externally rotate both legs. So if you even start in parallel, just turn the knees away from one another.
So I'm just using my rotators. Squeezing both glutes, lift the top leg up, touch the heel in front, lift it up to touch behind. Let me go up in front and just keep the bottom like on the floor. It'll be heaps easier for balance anyway and then keep that. So try not to do toes. Try to keep heel reaching [inaudible] so you're still the knees facing the ceiling the whole time. One more.
And then both legs together. Reach the legs away from you. Keep them both active, hover them up, take the bottom leg behind you. Send the top leg forward about as much as the bottom leg mu pulls. They're on a double exhale and change. So your feet are aiming at the two corners of your mat.
It's tempting to want to bring the forward leg more forward than we need to. Gotta use the back of the legs, especially that back leg, keeping the trunk as stable as possible.
But don't let your shoulder creep up or don't let the next start to become involved. We go in two more times here. Rotating, getting a lot of movement in the hip. Last one [inaudible]. Yeah, and then hold, go to the back and across.
And then mobily T you're a second. We've got two more to go. Last one and your niece.
Exhale, rotate this spot in. The more abdominals you use, the better stretch. You'll get that to guarantee in yelling as you unwind. Exhale, defy gravity lifts Baca. And we're going to send it to the other side. Stillness in the neck, eyes forward, lifting up, sending the spine out, band go can even slide away. And then we exhale to turn, dropping that supporting shoulder down and he'll come back, X O lifter
It may or may not actually get to the ground and that's fine. Make it more about the work than the destination.
Hover both legs. Keep the waist long. Send the back leg back, reach the top foot forward at the two corners of your mat and pulse on the exhale twice. And then change legs. Continue to hover. See how light you can go on your supporting hand here. Putting all the energy into the waist
And then we go the other direction so you go back.
And that is that help your sub end Janiece. Help yourself. That bottom leg is gonna slide out top leg comes to meet the bottom foot for both hipbones to be down. In a perfect world, make sure you're sitting directly on top of your sitting bones in the arms or out to the side. Grow a little taller. Inhale, reach away from the away XL. True in who? Come back. Find a straight diagonal line with your spine. Pull up from the waist. Let the hand come down. The opposite arm reaches overhead. There is your stretch, recommit to those obliques as you use them to pull yourself back up. Right?
Inhale, reach out. Little ah, anchoring with that bottom shin, excelling as you turn ribs in. Deep abdominal work there, here when we come back and Xcel to come up. So with everything, get in what you put in or you get out what you put in. So what can you offer yourself? Nice. Solid breath, supported shoulders, concentration,
Slide out and comes down and then bring it back. Don't want to stop.
I seem to want to say more than I need to from there. Pull your downloads and make sure that your spine is in a neutral position and then try to pull the hands apart by pulling the shoulders away from one another. So hopefully we can all get in that movement. A pretty strong feeling of upper back connectedness. Let the hands go. Try to do the same thing without something to pull against.
So that's where we're going to go as far as energy here. Um, turn the palms to face you. This is the side I'm kneeling series. We're going to start from a different place than we would on the reformer. We're going to open up the arms as the arms unfold. Stretch the shoulders away from one another so it's definitely not a scapulas squeeze. And then refold them back in has the elbows or this, the hands come towards one another. The shoulders continue to try to stretch apart XLS.
You reach big, long, broad shoulders, broad chest and bring it back. If you think about it, just alternate hand positions and re broadening the back. For those of us with tight shoulders. Next it's going to feel better to be slightly in front of the body, just a little in front and then try to reach beyond and then come back. It is, it's an idea I've been playing with lately. We can all find it and I'm sure we are all getting great work here, but can you go beyond that and then come back to more reaching out and coming back? Increasing our wingspan last time? Yeah, I'm coming back.
Okay. Both hands towards both ears. It's kind of a lot of work, isn't it? I elbows point out to the sides of your hands are like you're trying to plug Gary ours and then a Jennifer. Just slightly forward with your elbows. I think it's going to be better. And here we go. So as you begin to move your fingertips upward work to try to keep tension out of the hand, tension out of the arms really, and a lot of work in the ever back. So the shoulders are guiding themselves down in the back.
The arms are almost weightless as they reach up towards the ceiling. And then we refold the elbows. And as we do so press the hands in, but try to pull the elbows away from one another and again, excelling as you press [inaudible]. So again, helpful to point the elbows just a little bit forward to keep them in your periphery slightly. And then pull in hands, come close with the Elvis. Try to stretch away honestly and again, can you feel your spine lengthening, growing as you're, as you're reaching your arms up and re bent. And let's do that three more times so we can keeping the neck long, letting the neck be longer, keeping the heads still pulling the elbows apart. How would I say three?
I'm one more. And bring the arms out to the sides. Palms face up. In fact, bring the arms down for just a second. About halfway, take your head over to one side. Roll the chin slightly towards the chest. Bring it back across and lift it up. Take it over to the other side. When you're ready, roll the chin to the chest, bringing it back
It's as though there's hooks or cables or rubber bands attached to your shoulder blades in there. In order for the arms to lift up that activity downwards in the upper back has to happen. Let's do two more
Don't let the hand come down yet. Exhale, use the old Blake's to bring yourself back up. Inhale over to the other side, stretching the waist and then reactivating that sideways to lift back up. Lift taller perhaps and then over to the side. And so again, it's not so much about just going down but about going on the diagonal. In fact, as you come back, bring both arms up and reach to the corner of the room
Bring the arms back down. Lean O versa that you can put your fingertips. Maybe, I don't know, I'm going fingertips if anyone get their hands down. Lucky you, I both hips pressing forwards. Good idea to at least look at it. Ben, the top Al bell. Palm faces the ceiling. Pull both shoulders down and look down at your bottom hand. And from there creating a force. Press the armor and weave in
Just lightly touching the fingertips if you need to, you can roll up your mat if you need more space or you can touch your leg or the side of your thought. Here we are. Elbows bent, Palm is up. I was just over. The shoulder. Head is down and we press like you've got a 10 pound weight in there and press. And if you need more, go overhead meaning reach over belly button to spine and pull in and reach. Hey, great. Such as the train. Last one.
Bring the arm back. Find DRO, obliques, lift and lower the arm. Okay. Um, turn your bodies around so that you can lie. Face. Stand on your mat. We're going to do the breaststroke and I might just sit up for that one. So we're going to start here. It doesn't matter which way you go. If you wanna lie down, I'm going to be here. So what you're doing, the hands are going to be down on the ground. On the inhale, you're going to keep your hands touching the ground or are just hovering off as you bring your pinky fingers in towards your thigh bones.
As you exhale, lift your arms back and then reach up and around so the arms would just up near the years in hell. Put the hands down and XL, slide the elbows back in. Inhale, keep the extra in rotation in the shoulders as you slide the pinky fingers towards the waist. Exhale, lift the arms up. Keep the legs on the ground. Keep the abs working all the way down and exhale to come back in. Sliding the arms back. Jennifer, go a little wider with your arms. Inhale to [inaudible] to slide the arms back and then really work the back there. Look down and then reaching the arms up. Keep the shoulders down as they stay straight and go over your head.
But just the arms down and then fold the arms back in to lower the body on the exhale. Sorry, I got in your way. Um, let's do two more. Sliding. Open through the arms, feeling the work that's necessary in the upper back to create that movement. Lift the arms, lift the spine, stretch the arms overhead. Put the arms down, put the body down as you slide your elbows back down. I don't want more stretching the arms back, opening up through the back.
Reach the homes out. Lift all the way overhead. Place the hands down. Bend the elbows and lower all the way. Let your back settle for as long as it needs to. And then when you're ready, come up and sit back on your feet for a stretch. All right. And then when you're ready again, make your way back up onto your knees.
We're going to do just a couple more exercises and then we'll be free. So this is the chest expansion with a little bit of back extension. So you'd be on your knees imagining if you will, that you had ropes in your hands or straps in your hands. But who really needs rips and straps and Springs reach your arms down towards the ground as you continue to reach down to start to pull the arms back and down. Then without changing the pelvis, just lift the chest and the eyes and then release the chest forward and send the arms forward.
So paying attention to putting a lot of energy into the back. We reached down the arms. Don't go very far behind us, but they absolutely will go forward towards the floor. And then the chest, it's like you're trying to pull your ribs up away from your pelvis, extending just through the upper spine and then release and again, start the movement of the arms lifting the chest. This is fine, very subtle movement, but it should feel like a lot. And then release down. Looks good to you guys. Let's do two more arms down, spine, growing taller, the chest, buoyantly, lifting
Squeeze your glutes a little, squeeze the back of your hand strings a little. And then as you lift your chest, re continue to reach the arms down.
Uh, takes place on the chair. For those of you who recognize the name, and this is how we're going to do it here. So you start by just rolling yourself back down, focusing on the energy, the control, the stability in the center of your body. Uh, when you get down, place your hands on the floor, your fingertips on the floor would work. If you can do flat hands, that's good too. They aren't going to be right up close to your feet. They're going to be a little bit further away from you or you could roll your mat up. In fact, everyone, um, roll your mat up. Sorry. So make yourself a little shelf with that so that you have a little bit of room away from the floor.
It's the abs that are pulling us up and inhale to lower the heels down. So starting the movement by pressing the pelvis and the chest close together and then going deeply, deeply into the abdominals to float the heels up. Although you will have to use your arms some for balance as you lift. Try to keep them as weightless as possible. So just the action of trying to round more is what's going to pull you up.
I want to feel your abs. Okay. How about two more times?
And then lower the heels and then bend the knees a little and let the spine just hang forward over the thighs. Keep the abdominals in for support. And while you're here, can you pull your abdominals in so much that
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