You look too serious. It's girl time. We're going to move. We're going to just see how it feels. And so come along. Stand at the anywhere on your mat. Feet just a little bit apart, trying to feel yourself grounded. You may decide, do you want to step off the mat cause you want to feel good from the start. Okay, maybe not good, but some sense of at least you know where your feet are so you could build the rest of the foundation on top of it. I'm going to go onto the mat because that felt good and I'm in that space again where I want to feel good. So finding the bottom of your feet.
Take an inhale just for that, just to see if you can bring up some of that energy from the bottom of your feet through the crown of your head. And exhale, I'm going to do it again and I kind of have to just bounce it out a little bit just to let go. Whatever you need to do, if you need to swirl or twist or anything to let unnecessary tension that you know is there. Go and then stack yourself back up on the foundation. Maybe lean forward a little and then if that feels too far, just find a place that's upright and good. Inhale
It kind of reaches up and over,
Polling you into around position and straighten breathing. Somehow bend again straight and hopefully getting a little more, but maybe not yet. That would be fine. You can keep them bent here if you want to slightly and inhale so we're back together. Imagine drawing the legs together, but we're not there slightly apart. Exhale, enroll yourself back up. Just sort of tapping in
Push some energy up or tension away however you want to look at. It's your hour or less. Probably exhale, turn the arms, push away, get taller, get lighter on your [inaudible]
Be Gentle with yourself and roll up. Arms are heavy. Get to the top. Inhale, I will
I'm just going to shoulder height like cue and push down. Use the air. Use that ground force reaction as working with you all the time. Same thing. I'm just rotating arms as I go down. Using that ground force reaction. Feel how gravity isn't just pushing on you but the earth and then it has its effect that comes back up and supports you and you can work with that. You don't have to fight it. You can work with it. Oh, at least that.
The thigh and down. I'm going to give you one more time. It's hard on the mat or carpet and Dan you and just leave the arms down this time when they get there and feel like there's something under your feet, sort of resisting you to the ground and you want to push down. You want to go with gravity this time, but that ground force reaction is so strong. You have to actually push, move forward and have a seat. It's a good thought. I just couldn't finish. Just let it be. Take it into the world. It's still a thought. It's still done.
This is my thought diamond position. Oh yeah. Apparently I'm here. So stretching the diamond. I just took Diane Severino's class, so she's in my head to this. This extent. Best you can get the soles of the feet together, but also the fun part is holding on and being upright in a pretty easy place to be. Inhale, not going far. Does exhale. Tilt the pelvis back and then use your arms. Actually find your whole body right now. Inhale, stack yourself so you start to find where your sitz bones are and you stack above them. Xcel somewhere in there. Inhale. Exhale, roll backwards off the sits bones, the shoulders, not really leaning back a lot.
They might go with you a little, blow out all the air, prove it to yourself, and then inhale, come back up, lengthening through the spine. Exhale, let's go again. Now, speaking of that ground force where at least support, keep the breath and come forward, you can use the outside edges of your feet to push down, right? So that'll give you this sense of ease to go backwards so you're not just working one piece, you're working everything. Why not use the help we can get that we can't with and set up this time we're going back a little further. You might continue to hold on, but you'd probably have to move your arms. I'm going to press up against my thighs and my thighs down against my hands just to get to about mid back or waist. Hold it there. Check your shoulders.
If not around your ears. Start exhaling. See the belly drop back. Come forward. And I know you want to stretch forward, but I'm not going to yet. Grab on somewhere and sit up straight. We will. You know it's coming and exhale. It's so starting where we were
[inaudible] and [inaudible].
We'll do three of those. Three, that's various thing. Inhale, stretch and lengthen. I like, I know you're like, sorry, I just took your class too and I'm gonna probably copy that one more time in here. We're in that nice long spine or along as we can muster so far. Exhale round forward, stay curved, and it says if someone pulled you from the front side of your hip bones, you start to roll back. We're going to go back a little further. How a little further all the way to the shoulder blades. May a touch for the, take the arms up, keep your eyes forward, the arms are coming back down and we'll come up
Where are you today with flexibility? There's fine arms. Your shoulders back. Next one will stay up. Take a little stretch forward briefly and then sit up. He looks, Christie, can I take your pants off? Yeah, you roll my pants right off. Show the yellow Meredith show the yellow doesn't. Okay.
Then keep reaching the arm that's in the air higher. Let the other, I'm come up. Try not to unwind and then come back to center. They both come to a tee.
You're gonna use it to assist you up, twist you further, and then allow the arm just to float up. Now here's the tricky part. I can already tell I'm leaning back, so don't do that. We're going to let the arm come off without unwinding and back to centers are supposed to be a tee and right close at the knees. If we're going down, we're going to do the spine to a supine, so all the way down, arms come back out to that tee. When you get there, bring the knees up and I'm going to say probably at the beginning. Let's take the knees a little closer to 90 sorry, inward from 90 so not perfect, 90 but closer to your chest. Just a little. Stretch the arms out.
Keep the shoulders on the ground towards the window or to the front. Inhale or rotate. Stretch long knees are lined up. Exhale, center. Start to feel that sweat and keep going. Inhale over that swaying of the body, the opposition and exhale center ways you can kind of tell if you're doing that Kinda is if the knees stay lined up and exhale. If you've done this 100,000 times like Meredith has, you can play with your body. You can look for different things. You might push the bottom leg into the top.
You might see if you can pretend your legs aren't even there and see if you can really focus on the waist. What could you do to make your own movement special? And again, I think you don't play with it even if you haven't done it 100,000 well you can. Of course you can. But if you haven't done 100,000 times and you haven't played with it, the direction would be keep your knees lined up, your shoulders down 90 90 right, left, right, left, right.
So that's what I was trying to avoid. But yes, do that and play. All right, come back to the center. Put your feet down in the center, laced the fingers behind your head. I have my feet slightly apart and I'm comfortable. Distance away. Elbows just off the mat and feel the space between your shoulders and ears.
Not because you forced anything. I don't care if they're down, they're just not up from there. We're not lifting yet for us. The back of your head into your hands. Hopefully that's not hard on your knuckles, but I'm literally pressing backwards and thank goodness the elbows are up cause it's not a great chin. Look for most of us, but do it anyway. From there. You keep that gentle intention of a backwards motion of the head. And then we breathe. We inhale as we exhale, as if the arms were our hammock.
We let the breaths bring the body, the spine forward, and the head is still gently fallen backwards. It's already, if you talk a little, but avoid a huge one. Inhale, hold, exhale, take it back down. Can use that traction that your arms are providing or your hands as a nice little stretch. Exhale. When it's time to come up, getting a little more,
But I'm going to, I'm going to avoid it now, but you can just so you know, so shouldn't be uncomfortable. Curl up, stay up and just for now, just for fun, reached both arms forward, one on top of the other, doesn't matter which pushed the bottom one into the top one though, and keep the collarbones wide so you're not hunching from there. You're almost beyond your, your knees with your fingertips come toward the front, not a rotation just yet. Just slide to your fingers. Go just outside the knee. That was an exhale. Maybe inhale, come across the middle. Don't lower down. Exhale just outside the knee.
Imagine you're holding something between the knees. Inhale says, wait, are you rotating? I'm slightly rotating, but it's not as severe as about me. How's that? Okay, I'm going just outside. I'm sort of just skimming the legs just so we know where we're headed, so I'll add to it now. So we've come across to the front. From there, take the top hair, the front hand hand, closest, the one behind your head, and now you're going to put that elbow on the ground, use it, push into it again, use the support, push into it to go forward further into that knee and then rotate even more. But you've got to wait the other side. You've got to keep both hips down and then return the arms and see how much further you are.
Come across free to everyone and then the hand closest to the back is going behind your head first. You're putting it on the ground. Use it to push you forward as much as you can, but keep the opposite hip down. So all that stayed the same. Reach, reach, reach, and then both hands go forward again, come back to the center, separate the hands and let yourself go down. Hmm. Yeah, sorta. All right. That's that. That's that. Anyway, both legs are down. Stretch them out.
So theoretically are pushing down and everything comes down to this time. Take the arms overhead without flaring the ribs. Inhale, the arms come up above the chest. Exhale, curl forward. Really reaching for your feet. Curling, curling, curling. Press the right leg down enough that the left leg lifts. It just floats. It didn't do anything for it. Let it go to the ground. The other side comes up.
Push down with the lower leg. That's your help and down again, alternate push. Keep the arms reaching, deepening your curl. Last one and both down and take it back. Yeah, sort of. Yeah, that's hard. It's okay. I like it though. Okay, good. Heart is okay. Curl up again.
The upper body came with me a little that time, just a little curl up again, just the are upper body, left legs going down to the point where it becomes almost easy to lift and then you kind of run out of room. Don't show it without straining and down. That's where your a hundred is approximately going to be alphabet. This time you leave the legs down, curl up. Think you're going to pick up both legs. Just think it. But instead, push both of them down. Inhale for five, two, three, four, five. Exhale, two, three, four or five. Keep pushing those legs down.
Make it easy for the arms to float. Long in front of the hips, up
Glue those legs together and now pump the arms. Inhale two, three, four, five and exhale. Two, three, four, five. One more and exhale to keep them glued together. Push your arms down this time. Let your legs come up, roll over from there. Your horizontal, parallel, whatever. Flex your feet, push them apart. Remember that that air like a solid.
Let the feet go down and roll down. It's not that everything has to be resisted or hard. If anything, I'm trying to make it easier on you. Crow around. Let's go up and over. Use your arms though. Why not flex? Push apart, lower the legs from your throat. Start Rolling down. Find the suppleness within the strength coming around and going a tiny, tiny bit faster. Marry up and over.
So we come apart with the feet up and yeah,
And this is something I've been playing with from Judas Aston, and it's has to do with my, well I don't, she'll tell you if what it has to do with watch your class, but sometimes even, you know when you roll back and you don't feel everything equally, if you feather your way back, if you very subtly just feather your way back, it ends up feeling straight. So let's do one regular roll up. This is how she sorta does it with me in a tutorial. So we're just reaching forward, we're holding strong and we'll roll back. We have our feet together, we're just doing normal for now all the way back and we touch and you just taking inventory and it may or may not be different, but it's still fun to try. Exhale.
And she had us doing this even on the foot bar with foot and leg work and it just really made a difference in how balanced it felt by the hand. So I'm playing with it still in thought I'd include you. Thank you. It's interesting. Yeah. And up. Yeah, just and it's, I can't even tell which side needs it honestly, but I don't have to think about it and I try another one and if it feels different, great. And if it doesn't, that's okay too. Don. We go normal now. Right?
You just behind the table and pick up the feet up your pants, pick up your pants, please. Keep your clothes on. For this all. Hey, super close. Just like exaggerate your closeness. Yeah, these together. Sorry. And here we go. Inhale back. Exhale up. See if you can land in. Hope I put my feet down cause there are that close and I didn't have any place to put 'em. Try it again. Pick them up. Go back, come back up if you can. Get your feet down. Do hold now.
Can you pick up in this spot? Do whatever you need to. Except for raise your shoulders without using the strength of your arms. Can you pick up your little left foot a little bit? Just straight up without moving your back either and put it down. Step on it. Pick up the other foot, put it down, step on it.
I know you can't put a lot of pressure, but try. So it's not really from the front of your body so much. Well it is, but really then if you have to lean back to pickup balls, do
Where possible. Can we do one more time? Okay. She says and then just get yourself back a little bit. Pick up the right. Neat. I'll tell you now we are coming back up so we're not laying down.
Eventually the leg will come up if not sooner and then we're using that to come back up as if someone were pulling the straight leg up, put it down, use the support and look for a streets behind. Then you allow the hips to roll back. Keep some resistance. Elbows wide. Now press the foot that's in the air. They're both in the air. Press the foot of the bent knee into the other knee. Didn't change. Yeah, just use that and help yourself up. All that you can.
We roll back and I'm stretching the street like oh yeah. And I fall. Try not to hyperextend and then I help myself back up. Oh, it's so much easier when you do put the foot into the knee, I think. And it's not just that way. It's both ways. That inner seam works too. Here we go slowly down, keeping almost the same shape wide collarbones and
Okay. And I'm trying not to swing the leg unless you have to at that point. Oh my gosh. Foot down, fine. The street's fine. We're going back to the first side this time. Have some fun with it. I'm gonna once we're gonna roll three times and then come back up.
So you just Kinda keep an airborne. Once the light comes up, you don't have to lift it from square one and we go back and,
Just switch legs. Hug the other knee in first and then as you want to extend the leg into the air, the lower legs hitting the ground slightly. Turn it out, reach it up a little if you need to, just to kind of drop it back down. And now cross the midline. We inhale and [inaudible]
And can I stop with this one? Yeah, I think so. I think Benjamin and hug it in. Bring the other knee up to those to join it. And it's like you're sliding the skin of the shins forward. So the front of your thighs can relax.
We're going into double leg stretch here in a second. From here, grow your head, neck and shoulders up, knees. Together we go. Inhale, hold. Exhale, sweep brown and grab and pull. Inhale. You can. Sometimes we stop at 90 degrees. That's fine, but what I'm wanting to do is really get the air out, so I'm using the physicality of the body, my body to try and push air out. Even if the tailbone comes up today. Yay. Freedom. Kim. I go for more faster. Here we go. One, two, three and four. Hold your right leg up. Stretch it. Pulse, pulse and pulse. Pull.
Getting now the bottom line to the floor. If it wasn't already, use it. It almost forces you higher. Not that we need to, but that's the idea. Let's go pull, pull hands. Mind your head for a formal one or two. I guess that's one for Mary. Two, two and three.
Head back three. Here's four. Now rotate. Same thing. Press one. Remember what you did with the elbow earlier. You can kind of do that here. You don't have to, but you could. If you wanted to slow it down a little, press press, press, press, press. Last one. Both legs up, hold. Bend your knees. Separate them of little arm. Stretch out overhead.
Rather use them as like a kicks down the four points and PLF
Check that you definitely feel the backside of your body and I don't really mean the back. I do mean the back of your legs and probably your glutes. If you're not sure, Tuck your pelvis more. Meaning pubic bone disturbed. Stand on your feet even more. Pick your right leg up and we'll point down. Flex up. We go down. One, flex up, down two and up. Three here's six, four, five down, up. Again, stay up and lower the hips. No articulation. Go down. Push up one down. Push up to standing on that ground. Leg Three. Use it.
Keeping the hips as level as possible. Two more. Get up there. Stay up there. Point the toe. Return the leg shimmy or feather you way down the spine.
Bend the knee, put the foot down, get the hips back up there and roll it down
Go as far forward as you can as if somebody were pulling you backwards. And for now, just come right back up in here.
You got that long torso though. I do not feel bad for you and lift up
Go right into or you can put your hands down if you wanted to. Stay there. Inhale into the long spine of the body. Feel how the neck is part of that spine. Exhale round and roll back up.
You just allow the length of the body before the strain you exhale and you come back up and it feels natural and you have room to inhale and exhale. I'm not saying there's not work there, but it's the breath kind of can come a little more naturally. Finding that length.
30 but get longer for keeping the ribs in a little five. Find the mid to upper back. Six of ten seven Oh, I still love this one. Eight nine hold 10 raise the shoulders up. Get longer. Keep the body long, but let the shoulders just fall back into place. Round forward. Oh my goodness. And Roll Up.
Bend the knees in when it feels right. You can kind of close to you. We're going into open like rocker in a moment. So you're just behind the tailbone. I'm in a bit of a diamond shape just to prepare for it from here. Can you think of picking up the legs again? Not from the hip flexor but higher up, closer to the chest.
So just pick up one leg and down and notice that you're not having to lean back or throw your head and down. Maybe you could even do both. You got to wait. You have to be able to do that to do the next part. So if you can't do that, that's where you are, but you can, so we'll pick them up both just straighten one and then the other pick one. Doesn't matter. I'm not doing anything fancy there. And then to initiate, we from the same high spot. We roll back, we come up, we hold, we find those back muscles. We worked, we lift the hips up to get us to go back. Exhaling the breath helps find a spot if you need to try and to avoid a lot of wobble. It's not a toss. You pick the hips up.
If that image doesn't work for you, sometimes I even think of pulling my legs up so I'm not just holding on. I'm picking them up to tilt me back and I push them back down into the socket. Tick. Whoa. Almost went too far. [inaudible] pick them up, pull them out of the socket to roll you back. Push them back in and find a place. Don't look at the back at the end. You're definitely still rounded, but you can find those muscles.
We just worked as helpful. Assists. Now make it easy for tomorrow
And then just the easy tilt to the front, both legs together. Easy corkscrew around. I'm not going over and center other way.
So in your last class you said you'd like to be challenged. So we've rolled over. If you don't know that you should watch it cause it's a little hard to get into position if you had, don't know it. We're going to, I like to bend my knees first. Just some kind of chill on up there, but my, but the idea is that I'm lifted through my trunk. Then I wa I personally have to walk my arms in, elbows in, and then the hands can either go sideways around the hips or straight up and down. But you want to just be mindful that you're about to drop your hips into your hands, which is the part that comes now.
So you're literally supporting yourself, not so much that your head can come up. So you gotta keep the hips high enough and the low back and a little bit of an arch. Okay. Enough talking, straighten the legs up and we'll just split the legs. Instead of bringing that front like way forward, you're going to instead hold it high and take the other leg further. Almost like you're trying to reach the ground when you've gone almost where all the weights in your arms, you bring that forward like into it. Both legs totally straightened. Now we slowly switched for the first one, get that far leg, the like furthest from your face inaction.
Then you can deal with the top lick now ago and it's pulse. Pulse. Oh my cat. Where is my calf cramping. What a weird spot. Keep going. Don't do what I'm doing. Just reach. Reach. Oh that's so weird. I have what we do at flex foot. It's not innovative. Just kidding. Keep it pointed. Oh, much better now then.
Now that we've had so much fun, the far leg, whichever it is, is going to bend. In order to not put all the weight into your wrist and hands, you got to lift your hips. As you try to touch that foot to the ground, cycle through to the other side. Try and touch. Ben Reached your hatch. There's this brief moment where they're almost both straight or maybe they are. Depends on how you do it.
Reverse it down and digging for it. And you could also do this with legs high and just kinda quick. And it's still good to have your feet up in the air. Sometimes both legs will go up and over, release the hands and then just roll up to seat it right up.
So put your hands behind your head and point your elbows forward and don't let them move away from each other and do it directly from the spy just so you can feel the rotation, whether it's there or not. Truly go wide with the elbows or wider and then add the arms back in and to the twist. Twist legs aren't moving. Twist, twist, twist, twist. And finally last one, does the back center reach up round forward and we're going to go onto [inaudible]. Sidekick. Okay, so face that way I think really got, what can I say? See so I can see you can face me so you can see. Yeah, that's the way they are. That way everyone has a front view and a back view. It's perfect, right? Thank you.
What would I do without you? Um, let's go right here. It's good feet, slightly forward. Top leg is lifted. Stretch it long so you're kind of out of your hips and you're lifted out of the waist. Kicking forward and back. Honey. Easy for now. I'm going to keep my hand down. You can put behind your head and back. How about exhale to and sweep. Really reaching to the back line of the leg. So you fight, you start, you get stopped by the stretchability there.
That's cool. That's fine. In this version, just two more. Stretch back and stretch. Hold it to the back from there. Make sure the top shoulder, hip bone is slightly forward. Press the leg further back if you can. And lift ten nine, eight. I shouldn't have been turning my shoulders quite so much sick. They just, the pop is not the shoulder. Pelvis is when I met. Yup. Three more ish.
[inaudible] ten two more. Makes 10 great. I think from there Ben knee, so you're almost trying to kick yourself in the bum without the knee turning up. Bring the knee as close to the shoulder as possible. Even if it rounds your back, stretch the leg and sweep it back. Flexing the foot so it's a point. Bend it just now. Cycle it. Make it big.
Don't overthink this one. Just finding some motion lubrication. One more full cycle. I'm going to start it from the back. Kick forward. Pull it in, keep it bent until you get back there. Stretch, kick, bend, stretch, kick and one more and just bring it in and hold. It might be easier to do this all the way down on the upper arm. So go ahead. I'm okay here.
Can you pick up the top leg and one touch down to a five, three, four, and five. Just set it down in front and we come up and switch sides all together. Don't get too carried away their legs ever so slightly in front. You're lifted, your supported top leg is up again. You get to use it. I don't care which version of sidekick you do. You get to use that bottom leg. Push down to help the rest be easy. Kicking forward. We go pulse, pulse, sweep.
Exhale. Exhale. Back. Three more. Finding a nice long line. One more. Hold it to the back. I'm checking my hip. This is where I messed up my shoulders before meaning rotated. Keep the upper body pretty straight ahead and lift ten one, two, three as if something was supporting you from below six, seven, seven, nine and 10. From there we bent the knee.
You bring in as close as you can and then pull it forward. Stretch it out. I was flexing somewhere in there to pull it back where it feels good. Yeah. Now, tiny bit easier and just go for it for Sherry.
Bring it forward. Point and back. I like the flexing when I'm kicking forward I think or back for that matter when it's in front of me. Three to go.
Then the top like lift five one push down with the bottom like two 30 here's four and five. Put it down probably in front. Come on up, bend the knees and just turn over. You're looking at me like I forgot something. No, no, he didn't. I didn't forget anything. I was just waiting for my direction. Where I'm going. Where am I going? We're going face down. Okay.
Single leg kick lower than, well, it's actually pretty much how I normally do it, but lower than it's normally tie. Elbows are in front. They can be right underneath you. Pulling yourself forward and then just list the legs. They're parallel. That's the hard part. Sometimes pull the abs in a bit and right left. Here we go. Kick, kick, kick, kick in. Exhale for four or that length of time. And exhale.
Looking forward, letting the chest kind of almost draw a little bit. Or maybe it's a ribs. Wreathing pulsing, breathing, pulsing. And last one, bring both knees and come all the way down. Turn your face to one side or the other for the single, I'm sorry. Devil lay kick hands as high as you can.
Mine are going to be lower than probably Mary's. Yep. And that's because I take care of myself sometimes. Hopefully will to hover the knees, kick the legs, bend them. Three, one, two, three. Stretching, reach long. I love this. I did this, this right now, this switch one, two, three and stretch again.
What do you have to do so you're a little back, feels good and you get that stretch opening two more or one each side.
And if that was super easy, walk your hands forward a little bit cause I want to find that edge where your head is still down. You're pushing the heels into the ground or the middle of your foot and then you exhale and you get a little curve to the spine that lightens the way to the hands and you put them back down and up and down. If on one foot really wants to grip, I'm trying to keep my toes up the whole time. And then the last one, it's as if the seem on the back of the leg. If there were one, pulling it down. Walk your hands forward. You can walk your feet backwards to coming into the front support. Okay. Nice. Long and strong. Feeling the strength of both sides of your body.
What's working more? Hm? How about what can we do less of? All around so it still feels like it's unified but not stressful. Point one foot lift at five times. It's up. One touchdown. Lift two down, three, four switch legs and one, two to three.
Just that leg work in four and five and down. Bend the knees, stretch back, release the toes
And then look for it. You might have to twist a little to find what you need. Only you really know at the end of the day.
But it is, it isn't just dropping. It's looking for something. It's all part of the same chain. Bend the knees just once this time, straighten them. If it feels right to keep them straight, do and roll them. I'm not raising your arms this time. I am going to turn them inward, not the shoulders, just the hay farms to press back against an imaginary wall to rise up on the toes, not super high. Just feel good. Feel connection to both sides of your body. Easy down. I'll do two more of those and that'll be it.
And press connecting to the back. Be With that imaginary wall, the long body and down.
And [inaudible]
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